Half artist,
half pipeline.

I started in game programming — learning C++ and C# — then moved into 3D and found my spot right where the two meet: environments for film and the tools that keep that work moving.

In production I handle modeling, environment creation, set dressing, layout and lighting — the parts of a shot that decide whether it reads. In Unreal I take environments from greybox to lit, optimised and dressed.

My add-ons come out of that work, not out of a roadmap. Texture Pipeline Studio exists because PBR libraries across four resolutions were being managed by hand. LinkFlow exists because nobody could answer "what is this scene even linked to?".

If a task has annoyed me three times, it becomes a script. If it annoys the whole team, it becomes an add-on.